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Prophetic word for today (p.i.)

The final stages of the 5th seal

First preliminary posting: April 27, 2009

E-mailed: February 16, 2009

Word received by: Carol Mann

 

{Hyperlinks added by us}

 

I feel very strongly that I should write to you with these dreams and visions, especially the last two. This past evening (February 16, 2009), I woke up at 1:30 in the morning and remembered a long dream I'd just had. In the dream, I am moving back and forth, back and forth, between two projects, working on and "building" each one, step by step, stage by stage. I think the "stack" of building blocks of the project on the left was more complete than the one on the right. I'm also explaining things to someone or some people about what I'm doing. As I finish the left project, there seems to be a "title" over it: IHS or NHS. The right project has a title also, of three or four letters, but I can't discern it. As I'm waking up, I keep repeating, "Quinceaniera, Quinceaniera." I think this is a (usually lavish) party that Hispanic families celebrate when a daughter turns 15 years of age.

 

Then I have a long dream and remember only parts of it. In it, I'm with my former husband John. The atmosphere is all grey and dark. We are in a huge underground cavern, all carved in stone. This is a bus terminal, and we are here to get bus tickets to go on a journey. John ... is very distant, disengaged from all that is going on, apparently not interested in what we're doing. We go look for the ticket office, and see a closed door (apparently to the office) at the top of a longish dirt ramp. The office isn't yet open, but we stand in line, along with several other people, waiting to purchase tickets.

 

Suddenly, from behind, a brash young woman rudely pushes through the people, shoving us aside, and striding up to the door, which she seems to unlock and open, apparently ready to sell us tickets. Then, we turn around and see a long line of people all queued up, waiting to board the bus. I'm upset and ask her why she didn't tell us that the bus was here. We may not be able to find seats now. We get our travel bags. I set mine on a park bench and am rummaging through it, trying to lighten the load. It seems I have taken a number of books with me which are heavy. I'll just have to carry them on board.

 

Then, it all changes. We, a large crowd of people, are all under the great overhang of rock that covers the station. We're looking out of the cavern's great yawning mouth, and we are all looking up expectantly at the sky. There is a hush and a stillness all around. The sky, the entire atmosphere seems "charged", cloud-covered, and the same pearlized grey that I remember from a previous dream (of the Brooklyn Bridge). From the sky behind and to our left, we hear a droning and then see as they fly out in front of us a formation of five huge bombers, one in front, then two-by-two behind. They look so solid, I can sense their weight, their bulk, their solidness, and the massive power of their heavy engines and propellers.

 

But, as I look, I am horrified! The left-hand bomber in the second row, is engulfed in flames, a massive, living fire growing and consuming it. I'm in shock: everyone is standing around like this is a normal thing. No one seems to be reacting. I ask aloud, "Is this a normal thing?" Someone says, "No. This isn't supposed to happen." Then I shout, "Well, we have to DO something! We must try to save the other planes! Why aren't they moving away from the blazing one?"

 

Suddenly, the flaming bomber, fully ablaze, is spiraling upwards, wing-over-wing. Then it arcs over and plunges into the bomber to its right, both of them exploding in a massive conflagration, spewing shrapnel and molten coals of metal flying with great force in all directions. And this explosion ignites and explodes another, then another of the remaining bombers. I'm staring in horror, thinking I should run, as others are doing, scattering back into the cavern, as the debris and engine parts rocket towards us. I duck my head, knowing that I'll be hit and wake up panicky as I actually FEEL debris brush through the hair on the left side of my head.

 

I'm lying in bed, pulse racing, breathing hard. This dream was so REAL! Those planes were so solid! I'm very much awake and lying quietly, trying to calm down. Then, in the stillness, I begin to hear, in my left ear, distant voices, apparently several people talking, although I can't make out the words. Then, this fades and a single, powerful male voice begins singing, a deep, rich tenor solo:

 

Oh Danny boy, the pipes, the pipes are calling
From glen to glen, and down the mountain side
The summer's gone, and all the flowers are dying
'tis you, 'tis you must go and I must bide.

 

But come you back when summer's in the meadow
Or when the valley's hushed and white with snow
'tis I'll be there in sunshine or in shadow
Oh Danny boy, oh Danny boy I love you so.

 

Then, the singer repeats the second verse, two or three times. Then, he sings, four or five times, "But come you back when summer's in the meadow...." Then it becomes only these words, repeated again and again, long and drawn out, "But come you back.....but come you back...".

 

This song has been going around and around in my head for weeks. I actually can hear the instruments playing in my head. I have on several occasions found myself singing the words out loud and have wondered what is going on. I've asked the Lord but haven't yet discerned the meaning.

 

 

Our brief comments

 

{Fellow believer, if the Lord shares something with you regarding this word, please let us know. Thank you.}

 

This word has several elements to consider:

 

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These dreams are a spiritual depiction of the last few stages of the remnant's 5th-seal isolation. The second dream depicts the remnant's traumatic and difficult exit journey from the 5th-seal cave where they have remained for some time now. This traumatic exit is equivalent to a difficult and painful child birth.

 

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As we have said before, the "right" side points to the visible, whilst the "left" side points to the invisible. Thus, the "right project" in the first dream represents the visible work of the remnant, whilst the "left project" represents the remnant's invisible work in the spirit realm. The "left project" was more complete than the one on the right because the remnant's work is well advanced in the spirit realm, but it has yet to become manifested in the natural realm due to all the hindrances that the flesh and the world have placed on it. The "left" and "right" projects also contrast the remnant's "secular" work against their "spiritual" work. Whereas their work in the spiritual has been rather significant and productive, they have faced great obstacles that have made their work in the "secular" appear rather paltry and unproductive.

 

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The acronyms "IHS" or "NHS" over the left project stand for "Inspired by the Holy Spirit" or "Narrated by the Holy Spirit".

 

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The 5 huge bombers represent the 5 ministries (Ephesians 4:11) operating under the contamination of the pastoral matriarchy. Their loud and heavy flight across the sky represents these ministries' bullish efforts to reassert themselves in the spirit realm and to recover from the damage inflicted on them by God's green-horse riders.

 

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The V-type formation the 5 bombers were flying in points to the triangle of evil that we have studied before.

 

 

Thus, the bomber in front represents Amorite evangelists, the two bombers in the middle row represent the Jebusite apostles and the Hittite prophets in the Church, and the two bombers in the back represent the Canaanite pastors and Girgashite teachers that serve as the foundation of the pastoral matriarchy. Therefore, the left-hand bomber in the second row that goes up in flames first represents the anti-judgement Canaanite-pastor ministry coming under the fire judgement of God's apostolic spirit. Instead of accepting defeat, the pastoral bomber tries to spiral up, as if to say "No one brings me down!!", even whilst fully ablaze.

 

"And thou, Capernaum, which art exalted to heaven, shalt be thrust down to hell." (Luke 10:15) 

 

The pastoral bomber then arcs over and crashes down on the right-handed bomber in the second row, which represents the Girgashite-teacher ministry. The fact that this ministry's bomber was destroyed from above speaks of the invisible, high-flying prophetic spirit overcoming the earth-bound Girgashite spirit that wars so much against it.

 

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The deadly debris that sister Carol felt brushing through her hair on the left side represents the last lethal rush of anguish and devastating despair that has been thrown at the remnant right before their exit from their 5th-seal isolation. That rush of anguish was thrown at them by satan to kill them off just before their manifestation.

 

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The reference to "Danny boy" in the song is a reference to the "Daniel" remnant spirit that we share on in another posting. Therefore, it is no coincidence that the singer speaks of Daniel leaving and of longing for Daniel to eventually "come back". As we said before, Daniel is "travelling (from Britannia) on a plane ... heading for Spain".

 

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As indicated on wikipedia.org, "Danny boy" is a song written by Englishman Frederick Weatherly in 1910. The lyrics were originally written for a different tune, but they were adapted to the music of "The Londonderry Air" after Weatherly's sister-in-law sent him a copy of the tune. According to theoriginofdannyboy.com, Frederick's brother Edward abandoned his medical practice in London in 1889 and emigrated to San Francisco (which correlates with Daniel's travel to "Spain"). There, he met and married Margaret Anastasia Enwright; the couple eventually moved to Colorado in 1908 during a gold-rush migration period to that part of America. One day, Margaret heard some gold prospectors playing the "Londonderry Air" tune; these prospectors apparently originated from Roe Valley in Northern Ireland. As she heard the tune, Margaret was captivated by it, and she immediately thought of her husband's brother Frederick. She persuaded the gold prospectors to give her a copy of the tune, and she sent it to Frederick in Somerset, England. "Coincidentally", Frederick Weatherly had recently written the lyrics for "Danny boy", which fit almost perfectly with the tune of "Londonderry Air". Notice, therefore, how this song interrelates London, Ireland, and America and how it involves someone travelling from London to California.

 

"Danny boy" has turned into a sort of Irish anthem, and it has come to symbolise the diaspora of Irishmen and women to new lands. As we have said before, Northern Ireland (and Ireland proper) points to the green horse of the Apocalypse. Therefore, the song "Danny boy" is a prophetic message from the Spirit to God's green-horse riders in these latter days, and it shall be sung by those who will see the green-horse visitation go away for a season; after the visitation has left, they will realise that they miss it and need it, and they will long for it to return.

 

As we have studied in detail before, the singer Eva Cassidy's life has a strong spiritual connection to the green horse of the Apocalypse. Therefore, it is no coincidence that she recorded a cover of the song "Danny boy".  As you may recall, the Lord had us speak about Eva Cassidy in the context of "gold" (i.e.- glory), so it is no coincidence that the song and tune for "Danny boy" arose from a Londoner, his wife, and some Irishmen following a gold rush (i.e.- a pursuit of God's glory). We strongly recommend that you hear it on youtube.com.

 

Interestingly enough, Frederick Weatherly also wrote a song called "The Holy City", a powerful song on the "New Jerusalem" that expresses a deep longing for God's Kingship manifested on Earth. You may read its lyrics on james-joyce-music.com.

 

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The stillness followed by the distant voices that sister Carol could hear in her left ear "coincidentally" point to the "still, small voice" that the Lord had us share on in the previous posting. Only those who can hear that "still, small voice" will understand the revival that God wants to unleash upon the Earth, a revival intended to manifest the true value and potential that God sees in the son of man.